Both refer to advanced theater technologies that provide an exceptional movie experience.Įspecially, regular moviegoers are very much concerned about cinema technology. Retrieved 20 February 2020.“ScreenX or IMAX? which is better?” has become the topic of a hot debate nowadays.
#Screenx vs imax plus
"ScreenX latest theater fight with Netflix plus social media growing pains". "Meet cinemas' latest effort to fend off Netflix". "To fend off Netflix, movie theaters try 3-screen immersion". "Regal installs first ScreenX location in Irvine". "ScreenX: Korean Immersive Format Targets Hollywood and China". It later made its overseas debut at a Cinépolis theater in Mexico City, Mexico in March 2020. It later opened its first theater in a non-Asian location at a Les Cinémas Gaumont Pathé theater in Paris, France. The combined film format is currently operating throughout Asian territories including South Korea, Japan and China. It debuted at a theater in Yongsan in 2017, and was internationally unveiled at CinemaCon 2018, and later at CES 2020. 4DX Screen ĤDX Screen (formerly "4DX with ScreenX") is the combination of the ScreenX and 4DX film formats which allows moviegoers to experience films in the multi-screen auditorium with enhanced motion and environmental effects, with an additional fourth-screen projected on the ceiling and the newest 4DX chair models. In 2022, ScreenX has achieved even more-successful box-office results, with Top Gun: Maverick being the highest-grossing release. It has grossed a combined total of over $40 million throughout the year through films released in the panoramic format. Since 2018, the ScreenX technology has proven to be successful at the worldwide box-office, following the successful panoramic release of Marvel Studios' Black Panther. India, which is home to a massive cinema audience got its first Screen X in July 2019 at INOX Megaplex at Mumbai, Maharashtra. On Decemthe largest ScreenX auditorium in the world was inaugurated at the Màgic Badalona shopping centre in Badalona, Spain. Lee Jae-seon, who worked for the ScreenX version of King Arthur: Legend of the Sword at G-node, said that, "It is not easy to create Hollywood blockbuster CG work in Korea, but it is meaningful because we created Hollywood blockbuster CG work for ScreenX.” Additionally, films were initially shown only in selected locations due to the lack of partners at the time. Despite its innovation, the technology has been rarely produced for Hollywood-studio films due to the complexity of the additional computer animation work as side footage. The majority of films produced for ScreenX are live-action films, mostly from South Korea and Asia, and only a few animated films (as well as family films) are ever shown in/produced for the format. The process is done through scene selecting, archiving, delivering assets, color grading, and mastering before distribution to theaters.
A film shot for ScreenX is typically shot with three cameras. Like for IMAX films, in order to match the length of the entire tri-screen theater, ScreenX films are formatted either through pre-production (shooting) or post-production (converting). ScreenX Theater Concept with Former Logo.
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